Fred Moten, The Sustain: Blackness and Poetry

Acclaimed scholar and poet Fred Moten will be speaking on Thursday, March 20, 2014, 8:30pm at REDCAT.

Presented in association with the Master’s Program in Aesthetics & Politics at CalArts.

Known as a compelling and brilliant speaker and performer, Fred Moten works at the intersection of performance, poetry and critical theory. In his lecture “The Sustain: Blackness and Poetry,” Moten discusses instances of black poetic inscription in visual, plastic and performance art. These inscriptions are by black artists, implying that there is such a thing as black poetic inscription and that many non-black artists engage in it. Through this talk, he seeks to shed light on some recent debates in the poetry world regarding race, politics, conceptualism and the form/purpose of the anthology. Professor of English at the University of California, Riverside, Moten is Theorist in Residence this spring in the CalArts Program in Aesthetics and Politics.

Poet Douglas Kearney is on hand to lead a post-lecture Q&A.

Fred Moten | REDCAT.

Michael North, Novelty: A History of the New

UCLA English faculty member Michael North has just published a new book, Novelty: A History of the New, with the University of Chicago Press. You can read long excerpts here and here and a few glowing reviews here and here and, finally, an interview with North here.

North

Continue reading Michael North, Novelty: A History of the New

Jacquelyn Ardam on Gertrude Stein

Our very first M/ELT presenter was UCLA graduate student Jacquelyn Ardam who went on to publish her paper, ”Too Old for Children and Too Young for Grown-ups”: Gertrude Stein’s To Do: A Book of Alphabets and Birthdays,  in the journal Modernism/modernity.

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Unfortunately, it’s behind a firewall (academic subscribers can get access to it through ProjectMUSE where an excerpt is available to non-subscribers). I’m sure we can find a way to get you this if you are really interested.

theNewerYork!

I’ve been curious about this new press that opened shop in Santa Monica a few years ago but hadn’t had the chance to check out the journal, or meet the editors, until I bumped into them at AWP in Seattle earlier this month. I’m going to try to drag them out to the Poetic Research Bureau soon, but in the meantime, here’s the website of L.A.’s latest avant-garde pranksters, theNewerYork Press.

The L.A. Telephone Book, Vol. 2

The L.A. Telephone Book Vol. 2 2012-13 is a collection of new work by contemporary Southern California writers and text-artists available for free download.

Volume 1 (2011-12) is also available for free download.

Including new work by:

Will Alexander
Diana Arterian
Thérèse Bachand
Molly Bendall
Guy Bennett
Byron Campbell
Geneva Chao
Andrew Choate
j.s. davis
Larkin Higgins
Erin Jourdan
Siel Ju
Janice Lee
Deborah Meadows
Béatrice Mousli
Dennis Phillips
William Poundstone
David Shook
Chris Stoffolino
Daniel Tiffany
AJ Urquidi

The volume is free for download from Mediafire (see links below).

The collection was created based on a semi-open call to writers and artists for up to 7 pages of work, set in 6 x 9 in .pdf format, which were then assembled into the present file. All choices were made by the artists and presented as they created it. Several artists contributed notes and statements about their work.

PDF

https://www.mediafire.com/?58d0d39mmv13bdy

Facebook page:

https://www.facebook.com/LATelephoneBookVol2

Kevin Young | April 17 2014, 7:30pm

Kevin Young is the author of Ardency: A Chronicle of the Amistad Rebels, winner of a 2012 American Book Award, and Jelly Roll: A Blues, a finalist for the National Book Award and Los Angeles Times Book Prize and winner of the Paterson Poetry Prize. His book The Grey Album: On the Blackness of Blackness won the Graywolf Nonfiction Prize, was a New York Times notable book for 2012, a finalist for the National Book Critics Circle Award for criticism, and winner of the PEN Open Award. His new volume of poems is Book of Hours.

Continue reading Kevin Young | April 17 2014, 7:30pm

Interview with Daniel Tiffany

The Conversant speaks to USC Poet and Professor Daniel Tiffany about his latest book, Neptune Park.

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Andy Fitch: In Neptune Park’s epigraph, Strabo, the Roman geographer, declares, “I shrink from giving too many of the names, shunning the unpleasant task of writing them down—unless it comports with the pleasure of someone.” I’m interested in the role preemptive or productive apology plays in your poetics. Who are some of your favorite apologizers? Robert Walser comes to mind, perhaps Joe Brainaird.

Daniel Tiffany: I haven’t thought this through carefully, whether Strabo’s statement suggests strategic calculation or an embarrassed admission. I like the way he doesn’t just apologize for the obscurity of certain names and places but acknowledges his hope of “comporting” with someone’s pleasure. I appreciate an apologetics qualified by the hope that someone out there just might want to hear terribly dull things. I also love Strabo’s way of cataloging obscure places, tribes, peoples he has heard or read about—almost as an obligation, from a sense of duty.

Daniel Tiffany with Andy Fitch