Meredith Monk with Katie Geissinger | April 11 2014, 7:30

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Katie Gessinger

In celebration of the exhibition Helen Pashgian: Light Invisible (March 30–June 29, 2014), Meredith Monk, named the 2012 Composer of the Year by Musical America, presents a special duo concert. She is joined by vocalist Kate Geissinger in a program that covers 40+ years of music from Monk’s award-winning career. Monk’s groundbreaking exploration of the voice as an instrument, and as an eloquent language in and of itself, expands the boundaries of musical composition, creating landscapes of sound that unearth feelings, energies, and memories for which there are no words.

Presented as part of Art & Music, first-place winner of the ASCAP and Chamber Music America Award for Adventurous Programming of Contemporary Music. Check out the full schedule of upcoming concerts.

LACMA, Bing Theater
LACMA member & seniors 62+: $18 | Students with ID: $5 | General guest: $25
Tickets: 323 857-6010 or purchase online

Meredith Monk with Katie Geissinger | LACMA.

AV by Andrea Fraser, Vanessa Place | MAK Center, April 9, 2014

Schindler House
835 N Kings Road
West Hollywood, CA 90069

(map)

April 9, 2014
6:30 pm – 9:00 pm

Artist walkthrough: 6:30 pm
Opening reception: 7:00 – 9:00 pm
Exhibition runs April 10 – June 1, 2014

Andrea Fraser’s work engages the institution of art and art institutions. Vanessa Place’s work interrogates notions of criminality and poetry. Language and sound figure into both of their practices as key investigative tools. Working from the disciplines of art and writing respectively, both employ existing tracts of text and reposition them in the context of art and performance. This exhibition presents new work by each artist in two sound installations in the Schindler House.

For AV, Fraser will attempt to activate some of the structural relations between museums and prisons as the bookend institutions of polarized neoliberal social space. Place debuts her installation, Last Words, about which she writes: “Death is a sentence. Silently handed to each of us, spoken aloud to others.” Both works prompt the viewer—or in this case, the listener—to ask questions about the notions of absence, presence, power, individuality, freedom, and subjectification. Curated by Kimberli Meyer.

Andrea Fraser
Major projects by Andrea Fraser include installations, performances, and surveys for an array of international museums, including the Kunstverein Munich; the Venice Biennale (Austrian Pavilion); the Whitney Biennial; the Generali Foundation, Vienna; the Kunsthalle Bern; the Bienal de São Paulo; Tate Modern; the New Museum of Contemporary Art, New York; the Philadelphia Museum of Art; the Wadsworth Atheneum, Hartford; the Museum of Modern Art, Vienna; the Museum of Modern Art, New York; the Centre Pompidou, Paris; the Belkin Art Gallery, University of British Columbia; the Kunstverein Hamburg; the Carpenter Center, Harvard University; and the Ludwig Museum, Cologne. Her books include Andrea Fraser: Works 1984-2003, Dumont, 2003; Museum Highlights: The Writings of Andrea Fraser, MIT Press, 2005; and Texts, Scripts, Transcripts, Museum Ludwig, 2013. Fraser is a professor of New Genres at University of California, Los Angeles.

Vanessa Place
The Boston Review called Vanessa Place “the spokesperson for the new cynical avant-garde,” the Huffington Post characterized her work as “ethically odious,” while philosopher and critic Avital Ronell said she is “a leading voice in contemporary thought.” Vanessa Place was the first poet to perform as part of the Whitney Biennial; a content advisory was posted. Place also works as a critic and criminal defense attorney, and CEO of VanessaPlace Inc, the world’s first poetry corporation.

Photograph by Sandra Peters

Programming > AVNew Works by Andrea Fraser, Vanessa Place | MAK Center for Art and Architecture, Los Angeles.

Anne LeBaron: Portrait Concerts | REDCAT, April 12-13 2014

I know Anne LaBaron’s work primarily through her collaborations with poets Douglas Kearney and Charles Bernstein. This looks like a great set of shows and nice way to catch up on her work.

“Always changing,
 and always captivating.”
—Los Angeles Times

“She inhabits her massive instrument as if it were a continent.”
—The New York City Jazz Record

Widely recognized as one of the most intriguing talents in American postmodern composition, Anne LeBaron has used her music to explore a range of fanciful subjects and stories—from the mysterious Singing Dune of Kazakhstan to figures such as the apocryphal cross-dressing Pope Joan and Voodoo queen Marie Laveau. Surveying four decades of adventurous musicmaking—honored with the Herb Alpert Award in the Arts, as well as Guggenheim and Fulbright fellowships, among other prizes—two different programs feature selections from LeBaron’s operas, concert theater pieces, and instrumental compositions augmented by electronics and video. Also in the mix: a sneak preview of the composer’s seventh opera, Psyche & Delia, which probes the cultural resonances of LSD; and compositions by LeBaron’s former students. Guest artists include soprano Lucy Shelton, flutist Camilla Hoitenga, shakuhachi player Ralph Samuelson, and the Formalist Quartet.

On April 12, compositions by Anne LeBaron include Creación de las Aves; a selection from Silent Steppe Cantata; Way of Light; Doggone Catact; and Breathtails, with additional compositions by Daniel Corral and James Klopfleisch. Special guests: Richard Valitutto, Timur Bekbosunov, Daniel Rosenboom, Ralph Samuelson, and the Formalist Quartet.

On April 13, LeBaron compositions will be The Good Man (from her opera, Crescent City); Transfiguration; Sachamama; and Julie’s Garden of Earthly Delights, with additional works by Andrew Tholl, James Klopfleisch, Andrew McIntosh, Chris Schunk, and Kwan-fai Lam. Special Guests: Cedric Berry, Vicki Ray, Lucy Shelton, Camilla Hoitenga, Justin DeHart, Alison Bjorkedal, Julie Feves, and Jon Stehney.

Anne LeBaron | REDCAT.

Christine Wertheim and Patrick Ballard, Automata Arts | April 5-6 2014, 8 PM

Christine Wertheim will perform swOunds, hOwles and other infantile nO|ses from her new book mUtter- bAbel, published by Counterpath Press.

Patrick Ballard will perform Impressions; a rotating cast of pieces for solo performer with a microphone.

$18 General Admission
$15 Members/Students/Seniors
Seating is Limited; Advance Reservations Suggested.

To purchase tickets for the performance, click Here.

Christine

Christine Wertheim is author of mutter-bAbel (Countertpath Press) and +|’me’S-pace (Les Figues Press), editor of the anthology Feminaissance, and with Matias Viegener co-editor of Séance and The n/Oulipean Analects. She has performed her work widely, including at La Sorbonne, Birckbeck College London, University of Western Sydney, Machine Project, LA, Echo Park Film Center and the MJT. With her sister Margaret, she co-directs the Institute For Figuring, organizing events at the intersection of science, art and pedagogy. In 2011 the sisters received the Theo Westenberger Grant for Outstanding Female Artists from the Autry National Center. She teaches at the California Institute of the Arts.

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Patrick Ballard is a Los Angeles based artist that works through object making, music, performance, writing, various comedic forms, and a motley crew of other assorted media. His performance and sculpture work has been shown at Machine Projects, Grand Central Art Center Santa Ana, and featured as a part of Pacific Standard Time’s Ball of Artists. He will be receiving an MFA in Art from California Institute of the Arts later this year.

at:
AUTOMATA
504 Chung King Court Los Angeles, CA 90012
automata-la@sbcglobal.net
www.automata-la.org

For Directions to AUTOMATA, click HERE.

Automata Arts.

Guy Bennett | April 2nd 2014, 7:30 PM

Otis Books is pleased to publish a collection of writing that spans the career of the late Italian poet Giovanna Sandri, including verbal and visual texts, poems and poetic essays.

Edited by Otis College Professor Guy Bennett, and introduced by Giulia Niccolai, only fragments found: selected poems, 1969–1998 includes translations by Bennett, Faust Pauluzzi and Giovanna Sandri.

Guy Bennett is the author of several collections of poetry and numerous translations, including most recently Self-Evident Poems and a translation of Mohammed Dib’s Tlemcen or Places of Writing. He is the publisher of Mindmade Books and co-editor of Otis Books/Seismicity Editions.

All readings begin at 7:30 p.m. and are free of charge, but seating is limited.
Ahmanson Hall Forum, Goldsmith Campus
9045 Lincoln Boulevard Los Angeles, CA. 90045

Ian Bogost at CalArts | April 1, 2014

Video game theorist/designer and “speculative realist” philosopher Ian Bogost will be speaking at CalArts’ Interventions Lecture Series. Wish I knew about this earlier! The series has already hosted Lisa Duggan, Renee Gladman, Lydia Davis, Bruce Robbins, giovanni singleton and Fred Moten this year. Ian is appearing as a “BONUS” world.

The Interventions lecture series is a year-long graduate course offered to first-year MA Aesthetics and Politics and MFA Creative Writing students. All lectures are free, open to the public and begin at 7 pm in Butler Building #4 on the CalArts campus except where otherwise noted.

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Among Bogost’s most recent publications is a book-length collaborative study of a single BASIC program that ran on the Commodore 64 titled 10 PRINT CHR$(205.5+RND(1)); : GOTO 10. Co-authors included: Nick Montfort, Patsy Baudoin, John Bell, Jeremy Douglass, Mark C. Marino, Michael Mateas, Casey Reas , Mark Sample, Noah Vawter. For faces than your average selfie.

Ian Bogost is an award-winning author and game designer whose work focuses on videogames and computational media. He is Ivan Allen College Distinguished Chair in Media Studies and Professor of Interactive Computing at the Georgia Institute of Technology, where he also holds an appointment in the Scheller College of Business. In addition, Bogost is Founding Partner at Persuasive Games LLC, an independent game studio. His research and writing considers videogames as an expressive medium, and his creative practice focuses on political games and artgames.

Interventions Lecture Series | Master’s Program in Aesthetics and Politics.

Friends, Bitches, Countrymen: Contemporary Feminist Poetics Visions and Voices

This looks like a really great event that I just found out about this morning. I’ve been meaning to see most of these writers for a long time! The website states:

What are the relationships between feminism, poetry and power? In a reading and performance, five American poets will define, discuss, question, subvert, celebrate and explode their varied feminist poetics.

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Wednesday, March 26, 2014 : 7:00pm
The Ray Stark Family Theatre
School of Cinematic Arts 108
University Park Campus

Book signing to follow. Admission is free. Reservations required. RSVP at the links below beginning Monday, March 3, at 9 a.m.

USC Students, Staff and Faculty: To RSVP, click here.
General Public: To RSVP, click here.

via Visions and Voices: The Arts and Humanities Initiative. Continue reading Friends, Bitches, Countrymen: Contemporary Feminist Poetics Visions and Voices

CAConrad and Laura V. Rivera | March 28, 7 PM

Please join us for a reading by poets CAConrad and Laura V. Rivera.

Friday, March 28
Doors open 7pm
Reading at 7:30pm

Poetic Research Bureau @ 951CKR
951 Chung King Rd
Chinatown, Los Angeles

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CAConrad writes: “The son of white trash asphyxiation, my childhood included selling cut flowers along the highway for my mother and helping her shoplift. I am the author of six books of poetry, and I am a 2014 Lannan Fellow, a 2013 MacDowell Fellow, and a 2011 Pew Fellow, and I conduct workshops on (Soma)tic poetry and Ecopoetics.” Conrad’s titles include Ecodeviance, A Beautiful Marsupial Afternoon, and the Book of Frank.

Laura V. Rivera is a Los Angeles based writer and performer originally from Puerto Rico. She is the founding editor of online poetry journal, Circle. Her works include “You Will Close Your Eyes,” a live group hypnosis, and a chapbook of photographs and poetry documenting a transmigration (City of the Soul). Her new chapbook of poems, Apartment Complex, features work written during periods of experimental hermitism. She is a UCLA Creative Writing alumn and is approaching studies in clinical psychology and traditional psychoanalysis. She is interested in effecting altered states, making bad video, and amateurish brain surgery.

 

Poor Dog Group | Five Small Fires at the Bootleg Theater

Poor Dog Group is a group of CalArts graduates who formed five years ago to explore the outer bounds of theater in a way reminiscent, to me, of the Wooster Group in NYC. I’ve long been a fan of their work, among the most challenging I’ve seen in LA. This is their new show at the excellent Bootleg Theater near downtown.

March 6 – 29 | Thurs-Sat | 7:30pm

Press Release | Get Tickets

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Five Small Fires began as an investigation into ancient ritual, and the nature of satyr play within Greek theater. Set in a community center, revolutionaries of an abstract New Age movement stew over life’s meaning and purpose. A dark secret begins to reemerge, causing the members to seek aggressive liberation. While philosophical rhetoric builds upon itself, the members continue to seek emancipation from the troubles of contemporary life by conducting a series of lessons and tests, which they broadcast on-line. As these rituals collide in celebratory chaos, a higher community is formed through dance, initiation rites and radical apocalyptic anarchy.

Continue reading Poor Dog Group | Five Small Fires at the Bootleg Theater