Alpha Betty's Chronicles




  
ab
le
affada
vit
agent
appearance
        

astroturf
br    eath
churn
        

crank

effort
figure
    

fink
gin       

granted
heave
  

l
ichened
ligature

l
oathe
  
  
market
model
ontario

oust
ou
tta
       

p
iazza
pus

scenario
sorita
since
    

sine

toe
va          riety



1

      

Anxious big
    
hair on the back cover photo of           Marjorie
   Perloff's Radical Artifice.



2

    

Art
          
Exhibiti        on:
"The Essay on William's" including
  
rubber breast        s hanging from the wall; fresh
        
apples imported from upstate Ne          w York daily;
          
a dadaist nailed-together junk construct to    
     il
lustrate materiality of one of his
          
poems; "Nud    e Descending a Staircase" with recording
          
of just the r          ight kind of laughter (Armory
      
Show); snotty   looking French artists perambulating
   througho        ut the gallery, indifferent;
        
a sparrow smashed agai  nst the floor.



3

      

Being
          
a lover of punctuation, and such.
        /        Em        /



4

        

B
enny
   wanted smoking, Theodore not. And the
   cadets       wanted nothing but rough housing,
        
and a res        erved space upon the couch.



5

    

Bull!
   I

threw the          
c
lock a-
gainst
      
the

wall,
it's l          ying,
i
t's cold.
          

Just inhuman.

Reducing
my gre    en
house
        
issue,
I'm

opening up wide
    
into
  
the
field, I'm
no lon-

ger
    
sleeping.
I'm off
      
to work.



6

          

Chapter
  
on reading an academic t  ext on the "Snoopy Dog."
      



7

    

Chinese guy who writes, with t          he
        
other staff, obscene things on the receipts
         at the r    estaurant in Chinese to this customers.
      
"They admire him for his   learning..."
           Pa
ragraph of stalled sentences.
     Guy who app        roaches dogs on the streets as they are
      
inspecting park  ing meters and
          
trees, etc., and encourages the  m with their
          
selection. She wasn't able to b        e proud of
         her son's knowledge, because, when he finally
      
dis      played it, in a large novel about Korea,
     f
amily           relations, how it was,
  
he got it all wrong. "He was
  
an Ameri    can, that's all, which spoiled him." Hypogl        ycemia,
  
always humbling. Not a good Jesuit,
          
he had p    lain prose (his Latin clipboard
          
left at home). Part about standi        ng up for
          
the mushy poetry of the New Yorker and       Poetry,
          
"There isn't a line in all of your    
   P
ynchon as pure as that - why isn't
  
it good enough to just re    cord anymore?"



8

    

C
ircle,
  
square,
possib    le, a
passage
      
- search
exhaustive,

exhumes      
  
no
fossilized alembic,

alchemist
    
forte.
      


9

    

Gratuitous sex and
        
violence, plenty of it.



10

    

He
        
tried           to analyze her love of him through his love
           o
f       another.




          

He tried to make
      
a stir fry with cheese     - he thought
      
it would melt on the top.



11

          
        
He,
         who felt it such a bother to add any
        
element to his morn    ing ablutions, or to
     start using contact lens  es, now found himself pricking
     himself with       needles and lancets eight
     o
r more times a day.



12

          

HE      RBAL QUICKIE
      

Strange, this night that
(
organs      
    
splashing away)
protects the
          
mind, dark           
with elegant burgundies,
     grays
(the cigarette agrees,
             
challenging the cold day)
as it floats, ever secret      ly
    

towards the more challenging way
(    struggling,
      
ever decently).



13

      

I'm always
  
afr  aid of such confidence.



14

    

I Don't
          
Have Any Paper So Swallow   the Wafer and
        
Shut Up



15

    

I suppose I will forget.
     B
u      t once I forget, I won't really care.
        




16

      

I won't speak i    ll of other
   people.
Their silence obsesses
        
me.


breakhavo  c
wunch
  

hazingritual
strap      
counter
        

standarddemise
          
logarithm
  



Sort of a soporfiliac
g
rante        d,
      
snitching
on the wonder boy
  
lasts
  as
long as fratricide
as a debatable go
  
currency.
      


You have no allies, and the doctors
        
are s      ick of you.



17

          
I
'm a mess without
  
my, my Guatemalan gi        rl (sung to "China girl")
        




    

I'
m awas      h with spurious
   i
gloos (rains crashing down, worm
           m
uck unrav    eling my sensitive tissues, and I
     t
ake all rhymes as t      hey come), puttering until nascence
      
lifts to an argot these c  ontraptions,
     e
gg boilers, egg peelers,
    
egg eaters, d        own ramps of twisted coat hangers,
          
dropped on a plat      e. I've fake turbines (or investments
         in them). Struggles t    hat protract asphyxiation (collegio,
  
in t    he Latin, or just drop the n from
      
asphyxiation, worse    ning the verse until cramped enjambment
        
pipes in with cl    amors from the infant's back room,
      
the monks, maids and pro  jections),
           keeping labor stifled in baroqu    e misinformation.
          
That' s all it takes, indecision, dist    raction.
   W
alking, I chance upon a daffodilly,
          
"remark     the pregnant daffodilly," in its crowd
       of         jewels, in its creeds of passions,
         i
n it        s borrowed lake. I am going
       to do the laundry, and m    eet a Polish poetess, reading
    
the latest Nobel     laureate, a populist with a history,
          
and she will remark   that I don't understand, no
  
and should probably re          ad Ruskin forsaking
        
my Homi Babha, and also my William Carlos
        
W          illiams. I will reply: "But
  
I am in almost total agreement      !
      
I have just chanced upon a
         d
affodilly! This re    cent exhibition
    
of Mark Tansey's graphic fill      er,
    
it's like a shot in the arm of the
   a
vant-garde!   and so I am returning to ill-considered
    
origins." 'Then I will re    turn home
   an
d take stock of the issues, and           know before
  
I begin that I have probably betrayed myself.
      
          



18

    

It appeared July 32, 1995



19

          
It rains
                 
- the crops wither.



20

          
It rains
       -
the stopped watch shivers,           makes a severed
         ju
stice from the steamin  g ham, the frothing
   h
ens turning tabloid into stereo wings
      
of j      ustice.



21

    

Light: doesn't wanna
    
learn LANGUAGES any-
m
o      re, but computerspeak
          

that's easy, crazy.     

There is no poem,
          
but
t
he room for a poem.



22

  
The soi    l
   meets their distress.



23

          

Miss Prison.
      




24

          

My eye         curries the otherwise pure meat.



25

          

Neve
r
      
so sure: there i      s an entire Saturday stretched,
  
metaphysically, like a lax mu          scle, before him..
           not like the ocean that hides a contin      ent, rather,
     a
tongue that is willing for speech, exposed,        
      
vulnerable, out of its cavernous socket a  nd
    
a little disgusting. Shut up the dogs in
         th
e ba    ck of the building, tether them, hide them
     in your living ro    om, on the television,
        
SHUT THEM UP. So then the wee    kend
        
can achieve its closure, archive
      
its hilarity.. a beach     ball, heavy, primary.
  
He had attempted to       learn the name of
     t
he Loyalist, who cursing, lays a we        ighted
           e
ye on the bodega, and doesn't mind
                   
his passage of time in the sweltering heat,
       r
eading bad         Homer translations..
          
he portends lethargy, a wick
     wit
hout wax, a         canine without the order
  
of mastery. The beach is d      isgusting:
       compels, repels, sucks and He looks
     s
ends ba      ck, in waves of ever-increasing
     t
orment. up, espies the comet,
    
t        he comment, tries to lean back.. embrace
      
the luxury.
          



26

    

Oh Carla, you
c
alled.!
           I

was in perilous
straits    ,

unlikely
        
to
form sentences, or
crack a           code
        

(
joke). Fine

to hear a
friend
                 
found
me, salivating
for
bore-

dom
        
before...
  
life that
worried its crouton
    
to dust.



27

      
AFTER DAVI          D GASCOYNE

One
   f
ounders in a castle
of
delight, mark    ing
          

outside schedules with
dreamy incompetence,
    

staini  ng all the sheets
w
ith mercy,
        
coward
          of
intelligible, intense

apo
gees of
    
mischief.
The         candle founders, dark
in cradled
          
infamy,         
li
ke Ern Malley,
      
like
a teacher's surreptitio    us
agenda, that
        
paradise
hidden in all           the fancy

books. Story
    
goes:
once had a churl, traded          
      

him for a girl, got
elemental
     diseases  , not
incendiary
          
phases, nor
a breath     of maturity,
  
I mean, it was weird,

not having
    
m      y gross ego
t
o confound me. But
that
         joke         still bumps
me now, edging
  
on
into wakefulness. It
is           a cold mashed potato.
    

I
t is a grump in the night.
      
Speckled tortoise:
          

you ain't nothing new         
to me! I've fun shoes
angling,
          
you see, toward
pret      ernatural
       vagrancy,
a
nd corny ties,
         and
c
rooked         hair, all

a symphony of occurrence
      

suffocating         bad chatter
          
(
in the suburbs, where
it
       b
egins, ado  pts
mercurial guises, and
        

coins a new theory),           I've
plenty
          
to mess with.

The group      , nonetheless,
          
in
black shirts, white
sh
orts,
         r
ed waist
ban          ds, assemble outside,
  

brandishing tickets, all
stable
        
in ge    stures
of seasonal discomforts
      


- no coffee cures,  
no
  
herbal expedients, no
craning
    
for syllables.



28

  
prep  ubescent emmanuelle
          




29

          

Resources
(
discussing).

The
    
new           structuralism
cannot un-warp
perversion's
         s
ingularity.      



30

          

Scenario:
a young
  
girl congratulating her broth    er for making
          
his first talk show appearance. She goes
  
t      o the dressing room, and sees that he
          
is g        etting his face done.
          
When he turns around, h        e has
         d
ense cakes of facial make-up...
   She is shock        ed, but he says "nobody will
        
notice, it's s  tage make-up."
He is Jewish, and
      
the cut       to the talk show hosts' monologue shows that
  
he     is doing an anti-semite joke, Anyway, as the
          
li  ttle interview progresses,
        
with the talk show host going
          
on   about himself, letting off
      
farts and things, the st        age
       make-up, which is clearly noticeable,
         begins to slip           off. Eventually, he just pulls
        
the stuff back up, like       in a face-life, but
   t
he mask continues to fall, making him look    ,
  
at moments, like his eyes are peering from
   b
ehind a dea      th mask. Eventually, it
    
just falls off.



31

    
S    ection based on Nirvani's
       web sites.



32

  

She could go o        n forever
    
analyzing the minute spaces between
her
                 th
ought. Or anybody else's
      
thought, for that matter.

W
e
      
won   her. She has come. And taken
       t
he life from them,     at
the same
    
time. So she plasters the walls wi          th
       her oils.



33

        

Sister, where
      

are you, w      ho
promised
me you'd lend
    


me twenty   
dollars? it's
        
not
Zen-like of
you to
       c          onform

so poorly, with
t
he clock,
      
leaving me         
i
n neurosis!

Hale
        
the buzzer.



34

          
Stasis is futile          .




    
S
tory
          
of person who experiences sleep   for
    
the first time (coaching from
         friends, feel of accomplish        ment, naive
        
first impressions, etc.)



35

          

Stranger,
    
y  ou. may grow up to be possessed by certain
        
ideas, ef  fusions from the rump. The cut glass
          
will become your       syllables, mister,
          
miser - you will vacate         numerous
          
rooms before finding the one
  
that names you: Sir         Charlatan. And
    
that's why there is something lac    king
  
in your prepossession, your way with
    
corne        rs and milk. The abstract on
           t
he vitamins was boring readin  g,
        
but that's before vermilion covered
   the synta        x with stories of
     wars, sparring, dances;         the rectilinear
        
applauses didn't distract you.
          
On a purpl      e bed, with the dawn
   streaking across your breast (freed
  
breasts,   shaking thighs, glow of misapplied diligence
  
on he        r face - she is Pavlova redivivus,
           a flower- child - nobody   told her
      
of the industrial revolution!), clo          cks burn the misery
          
of unslept nights in a crown of wakening s        uburbs,
  
buses, and coffee carts, withering       that
       ill taste in your mouth, calling it an
       a
ddicti        on. One more year in the
       G
ulag - when will they f        inally get your bed linen
   r
ight, so you sleep all nested and com      fortable
          
in the smells of your hometown, those dandeli          on
          
fissures, those maternal chokes, those cars! Frankinsense    
   c
ould do it. But the body rebels. Artificial,
      
fascist forms of           education: pronunciation
     dr
ills, charts and rubber s    hoes,
           b
ooks ba- lanced on head - whoops,
     there it goes - could,       indeed subtract
  
from your powers - your exhibitionism.
          
Or so      mebody could simply show you, target,
  
it's the industri        al revolution - and it's coming
           to
a theatre near you!        



36

          
The
          
hype of me, so American, I wander
       
fitfully in sleep's cauldrons, hot as an
     old novelist tha        t's forgotten his themes.
  
That's my sin: so           cold in leg, no glee
        
ever sold         /        / satisfied me.       



37

        

The
        
mad dictator
m
ade the
trains
  

      

run
well,
so punctually,
no one questioned
          
his demeano        r:

mean.
The season's
      

change, all's caught  

in summery
surprise:
           so reason's
otherwise luminou  s
          
demesne

was darkened: not
          
a spark
of sense, or
n
on    sense.

Redactor
    
of
histories, of lore
- h
e jerks off
        
i  n the park

s
eeming
so teasing
to, reall    y,
    
no one. He

is a wonder
of abject pleasi    ng,
    

o
f vagrant pleasure's teeming,

a
nd
          
th    us
wakes, pissed.
The mad dictator
      
is split:
  

one half
co
unter-parliamentary,
      
one bit
running w      ith us
  


t
oward liberty.
But
       never, never      , in
fact, fruitfully

conversational.
          

So when the     head count's in,
he's out
          
in the random li    brary,

doing
a
rithmetic.
        

They voted him in,     nonetheless.

He
        
was a resounding voice of difference  .
          

Not too hygienic,
not
   so deluding.



38

      

    
The paper is
      
still there...



39

  

The plans
     f
or the stadiu      m are always being postponed.
        
Tedium, too, falls, l        ike the five-year
        
plan, like a curtain of swans    down, over every
      
child and lover.



40

    
Th
e           TOTAL
    
eaters fan club.




          

They
      
argue abo      ut cooking sausages: "I'm not going to use
    
a fucking te        aspoon every time I cook a fucking
  
sausage:"



41

  

They die, o    r they go to heaven
    
without dying.



42

    

They   stocked up on
      
three varieties of soda: cher  ry, regular,
          
diet.



43

    

This is our own story, with
  
b      eginning and end. Who tries
to make a farce of
    
it, tells us we    're troubled, infants, jerks
    
-
that has been the standard exper    ience of each
           n
ew generation, just getting

on.         But we're wary
          
(or should be) of such oppositions. An  d keep
        

gurgling our nonsense - until its age      ,
        
its clamor, resounds
in the empty volume
       of
this gymnasium       that we've
      
been aligned within.



44

      

Voyans,
      
or The Structurali        st Nightmare Goes Public



45

  

Wavering
      
between luck and zen (s          ent the planes
      
down) the UN US interchangeable demanding     new syntax
    
from the markets.



46

          

W
e had the           author
   o
f "The Western Canon" living in our building.
           W
e thought to place a small porcelain cannon
        
outside his do      or, but we never did it.
  




47

      
What have we here? (drama   or design?)
    



48

      
What's this got to do with my first
   co      mmunion?
What's this got
         t
o do with the new reunion?
Wh
a      t's
     this got to do with the sliding scale?
        

What's this got t      o do, that we're
   g
oing no where?

T
he hero        es
  
are all hermaphrodites in my hanging
         paper lantern  ,
they talk when
         they weep: it's magic,   like a Christmas tree
  

in April. Several antsy fan          zines
      
I've collected on my front porch...          
      

but the wind don't blow no
  
more, and the fireman'        s not home.



49

          
What's this...
           something for my mailing li        st?
          

This isn't going to be good for
       m
y bulimia.           
Just call me Paradise
     Theatre (his interest in Styx).



50

          

W      
ill
          
starvation drive an artist out
  
of his t      omb?



51

  
Winter, too,
          
has its paradigms.



52

    

Y
ou
  
must           find solace in the charge, and
        
resent.



53

        

Yo
u tend t  o see things in black and
  
white; I tend to       see things with
        
their grays in between, and even
        
the           occasional burst of color.



54

        
You'll see
          
that there's a seas        on, a reason
          

the blackouts shrugged and
    
persisted, diletta  ntes

a figure of hope
likely
   to be amusing        

to nobody.
That's
           when you cared

an  d cash and
    
carried the cigarette
charm

-
ing
  
lighter -           
the paradise for keepsies.

Burning
      
holes in the ceme    nt (trying to fathom
           w
hat your mother meant
by that
     code, her  

matchbook (secret
m
atchbook)
   co
ntained  

your picture, my
        
puncture, her wound -
p          
ink elephants.
        

There is toffee on the table         
there is syrup
      
in the milk,

there is     movement
        
on the perimeter,
there is a
      
shogun warrior

a        
nd there is a ring
          
of saliva
a
nd there shall be   calm in the evenings
  


- afterwards
we pl          ayed
   injuns

and plagues.
Warning:
     p      arables.

And easy cutlet
a
nd lawn
   chair.   

F
reedom is an afterthought,
          
after love
suggested the cons          titution. Carlyle
      


popped out of the op        en box. He screamed,
  

a
nother talent wasted o    n portable fictions.
          

S
cram,
beat it.