10. Another aspect that suggested the "ambient" is how certain voices -- like the "I'm a small person of very little consequence" part of "Verbali" -- rises like a tempered scream out of what were previously paratactic statements, which suggests the sort of events that occur in ambient soundscapes which, while mild, end up putting a figure in the landscape. Do you consciously try to contrast styles in your writing, to perhaps seduce with "ambience" and then alienate with something more direct? You like to mix voices in your longer sequences -- is there some "V-effekt" (alienation effect, a la Brecht) aspect to this, where you try to provide different perspectives on what you've just done, or how language works in general?